Meredith & Harold

ROUND DANCING — CHOREOGRAPHED BALLROOM

EDUCATIONAL ARTICLES

MAJOR SECTIONS: Figures | Articles | Links | Alph. Index | Search | Home

BROWSE
Figures in the Smooth Rhythms
Foxtrot
Quickstep
Waltz
Viennese Waltz
International Tango
American Tango
Two Step
Five Count
One Step
Polka
Rhythm
Figures in the Latin Rhythms
Cha Cha
Rumba
Jive
Single Swing
West Coast Swing
Lindy
Hustle
Bolero
Slow Two Step
Mambo
Salsa
Samba
Argentine Tango
Merengue
Paso Doble
Dance Articles
Articles Home

Dance Figures

Dance Rhythms
Lead and Follow
Dance Styling
Fred Astaire Album
Other Sections
Dance Links
Music Clips For Each Rhythm
Search Site/Web
Sources
Contact Me

Sugar Push

by Tim Eum

West Coast Swing is a form of jive/swing that developed in California in the 1930’s and 1940’s. It is characterized by the lady dancing forward and back in a “slot” with the man moving out of and then back into the slot to let her pass.

One of the most basic and characteristic of West Coast Swing figures is the “Sugar Push”. The Sugar Push begins with partners facing, lead hands joined, lead foot free (man’s left foot and lady’s right foot are free). The timing of the Sugar Push is 12345&6. On the first two steps, the man simply steps back twice while the lady steps forward twice coming close enough to get into a “compressed” BFLY. The couple can turn their upper bodies so that the man’s right shoulder is back (lady’s left shoulder forward) to almost a BFLY-BJO.

The next two steps are the “Sugar” and the “Push”. On the third beat, simply tap your free foot (the lead foot). The man taps his left foot in front of him. If the man and lady have turned their upper bodies right face to the BFLY-BJO, the lady taps her right foot behind her trail foot. It is on this “tap” step that you can give your partner a wink or a kiss (i.e., the “sugar”). On the fourth beat, the man steps forward almost on the same spot that he just tapped with his left foot. The lady recovers by stepping side and back on her right foot. Although there should be a slight “lead” to have the lady move back, the man should not overdo this with a muscled “push”. He should simply give “firm” resistance. The couple will now be in the slot facing each other slightly apart with only lead hands joined and trail foot free (man’s right and lady’s left).

The final steps are a small rock back/recover, rock back (the 5&6 timing). This tiny back rock 3 in place is called an “Anchor Step” and many West Coast Swing figures finish with it. Note that you started with lead foot free and ended with lead foot free. This is characteristic of practically all West Coast Swing figures. Remember that the first step of most West Coast Swing figures is back for the man and forward for the lady -- not apart (as is typical in Jive). If you move your steps with a smooth “slinky-ness” and are playful with your partner – you will capture the feeling of West Coast Swing.


Tim Eum has prepared many Round Dance Tips for Calls 'n' Cues, WASCA, for his weekly Rocket Rounds email reports, and for other publications. This article was prepared for the RAL Virtual Convention, 2021. DRDC is grateful for permission to collect and reprint. A Tim Eum archive.

 

dingbat



Alphabetical Index to
Figures
and Technique
Dance
Figures
Dance
Articles
Dance
Search
Dance
Links
Dance
Home
Online since 2001 İHarold and Meredith Sears, Boulder, CO, harold@rounddancing.net. All rights reserved.